Overseas V

Eivind Opsvik

Medium: LP
Year: 2017

Availability: Out of stock



Bassist-composer Eivind Opsvik, born and raised in Norway but resident in New York City for some two decades, has developed an utterly individual musical soundprint, one that blends the song-minded composition and creative studio craft of art rock with the virtuosic edge and spontaneity of progressive jazz. Opsvik’s sequentially numbered series of instrumental albums dubbed Overseas, begun in 2003, and continues here with Overseas V. Time Out New York called Overseas IV one of the “freshest” albums of 2012, extolling its “depth.” The hooks-galore writing, artful production and sublime playing remain constant in Opsvik’s work, but in the place of the Baroque atmospherics of Overseas IV are post-punk influences, from the melodic bass lines of Joy Division/New Order to the funky stutter of Talking Heads. Then there is the inspiration of Brian Eno’s early avant-rock LPs – catchy, off-kilter songs played by great musicians – and the lessons young Opsvik learned from experiencing guitarist Terje Rypdal and other of ECM’s Scandinavian jazzers live, not just on record. The latest, road-honed version of Opsvik’s Overseas band features close longtime friends, who happen to be some of the most compelling improvisers on New York’s creative music scene: saxophonist Tony Malaby, guitarist Brandon Seabrook, keyboardist Jacob Sacks and drummer Kenny Wollesen, all for whom quality of sound matters more than quantity of notes. The nine tracks of the LP-length Overseas V are also concise and immediate, with no songs hitting six minutes and only three over five. Rhythm more than melody and atmosphere are the basis of these pieces, with a lot of the drum grooves written out. The band is elastic with time and pitch, and the improvisations are very concise.(From the label)